12/30/2023 0 Comments Love song of j alfred prufrock quotesEliot was a great believer in the historical value of art in "Tradition and the Individual Talent," he argued that "the poet must develop or procure the consciousness of the past," especially the literary past. The dramatic monologue fell out of fashion in 20th-century Modernism after its 19th-century Victorian invention. Robert Browning, the undisputed master of the dramatic monologue, exploited this possibility in his most famous dramatic monologue, "My Last Duchess" the reader learns much about the Duke that he has not intended to expose. In this form, the speaker addresses another person and the reader plays the part of the silent listener often the dramatic monologue is freighted with irony, as the speaker is partially unaware of what he reveals. The examples and ramifications of the objective correlative in "Prufrock" will be discussed later.Įliot first achieves the extinction of his personality by setting "Prufrock" in the poetic form of a dramatic monologue. He wrote in his essay "Tradition and the Individual Talent" that the "progress of an artist is a continual self-sacrifice, a continual extinction of personality." He crystallized his ideas about how to achieve this extinction of personality in another essay, "Hamlet and His Problems": "The only way of expressing emotion in the form of art is by finding an 'objective correlative' in other words, a set of objects, a situation, a chain of events, which shall be the formula of that particular emotion." Simply put, the objective correlative - a tangible, concrete thing - assumes the emotional significance in a work of art Eliot largely does away with abstract emotional ruminations. Superficial differences aside - Eliot was a young man in 1909, while Prufrock is balding and probably middle-aged - Eliot disdained poetry that focused on the poet himself. Alfred Prufrock as an alter ego to explore his own emotions, this is not the case. He wrote the poem in 1909 while a graduate student at Harvard (though he revised it over the next few years, eventually publishing it in 1915 and in book form in 1917), and at the time he signed his name as "T. Alfred Prufrock" is a farcical name, and Eliot wanted the subliminal connotation of a "prude" in a "frock." (The original title was "Prufrock Among the Women.") This emasculation contributes to a number of themes Eliot will explore revolving around paralysis and heroism, but the name also has personal meaning for Eliot. The title of the poem is Eliot's first hint that this is not a traditional love poem at all. He describes yellow smoke and fog outside the house of the gathering, and keeps insisting that there will be time to do many things in the social world. He describes the street scene and notes a social gathering of women discussing Renaissance artist Michelangelo. Alfred Prufrock, a presumably middle-aged, intellectual, indecisive man, invites the reader along with him through the modern city.
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